PLEASE NOTE: This is a non-AEA production, roles are unpaid, and no housing provided.
INCLUSIVE CASTING NOTE: Actors of all genders, identities, ages, races, body types, physical abilities, and ethnicities are encouraged to audition. Individuals of any gender may be cast for any roles, but actors must be willing to play the gender associated with the character.
ACCESSIBILITY NOTE: We welcome actors of all abilities to audition in our space, and therefore we can work around reasonable accommodations and physical limitations. Please list any such needed accommodations, as well as any specific concerns related to physical ability, on your audition form.
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AUDITIONS:
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WHAT TO BRING / HOW TO PREPARE
- Sign up for an audition slot here.
- Print out the audition form.
- Paper forms will also be available at the auditions.
- Please include any conflicts you have for the rehearsal period (March 2 - April 30, 2026. No conflicts permitted after April 19). SEE IMPORTANT DATES BELOW for detailed schedule information. While we do our best to accommodate, please be aware that conflicts may affect casting.
- Bring a headshot with a resume (if you have one).
- Bring sheet music for (16-32 bars) a contemporary Broadway song that best shows off your voice and acting ability (no backing/karaoke tracks or acapella singing). You may be asked to perform a second selection.
- Dress to move and arrive stretched/warmed up. You will be asked to learn and perform a short piece of choreography to demonstrate your dance/movement ability. Only dance shoes, bare feet, or socks are allowed in the studio. Please bring tap shoes if you have them.
IMPORTANT DATES
- Rehearsals: Begin Monday, March 2, and occur Sundays, 6:00 to 10:00 pm, and Monday - Thursdays, 7:00-10:00 p.m.
- You may not be called to all rehearsals, but please plan to keep all dates open.
- Our young ballerina ensemble and Michael will be excused by 9:00 pm until we get to work-throughs.
- Cast Orientation: Wednesday, February 25, 7:00-9:00 p.m.
- Tech week: Sunday, April 26 through Thursday, April 30, 2026
- Performances: May 1 through May 16, 2026
- 1st Weekend: Friday and Saturday at 7:30 pm, Sunday at 2:00 pm
- 2nd Weekend: Thursday and Friday at 7:30 pm, Saturday at 2:00 pm and 7:30 pm, Sunday at 2:00 pm
- 3rd Weekend: Thursday and Friday at 7:30 pm, Saturday at 2:00 pm and 7:30 pm
- Strike: Sunday, May 17
ABOUT THE SHOW
Set in a northern English mining town against the background of the 1984 miners' strike, the show follows eleven-year-old Billy Elliot who unexpectedly discovers a passion for ballet while his family and community face hardship and conflict. Secretly taking dance lessons, Billy must navigate grief, poverty, and rigid expectations as his talent brings both hope and tension to those around him. With the support of his teacher and, eventually, his family and neighbors, Billy pursues an audition for the Royal Ballet School and discovers that the only limitations in life are the ones we place on ourselves.
CONTENT WARNING
This production of Billy Elliott is PG-13. The show includes strong language and explores mature themes such as class struggles, a miners’ strike, bullying, and gender stereotypes. It also contains moments of staged violence, depictions of smoking and drinking, and brief references to sexuality and cross-dressing.
Please note that we will be performing the show unaltered and as licensed.
This production of Billy Elliott is PG-13. The show includes strong language and explores mature themes such as class struggles, a miners’ strike, bullying, and gender stereotypes. It also contains moments of staged violence, depictions of smoking and drinking, and brief references to sexuality and cross-dressing.
Please note that we will be performing the show unaltered and as licensed.
CHARACTER BREAKDOWN
Please note that all characters speak with the Geordie accent of Northeastern England unless otherwise noted.
All children’s and adult roles are available unless otherwise noted.
All children’s and adult roles are available unless otherwise noted.
CHILDREN'S ROLES
Billy
If you are interested in the role of Billy Elliot, please visit this page to learn more, as those auditions are being conducted separately.
Michael Caffrey
Billy's fun-loving and carefree best friend. He is happy in his own skin and lives in the realm of expressing his individuality, going so far as to commonly dress in women's clothing. Must be an excellent tapper and under 5’4”.
Debbie Wilkinson
The ballet teacher's daughter. Brazen and confident. Can appear argumentative. Her childhood crush on Billy leads her to constantly belittle and discourage him.
Posh Boy/Kevin
Multiple roles.
Kevin: an older local boy who was friends with Billy until his father became a ‘scab’ during the miners’ strike.
Posh Boy: a rich boy from the south of England whom Billy meets during his audition for the Royal Ballet School, and has no comprehension of the difficulty Billy has faced to get there. (RP Accent)
The Ballet Class
Overexcited, very eager members of Mrs. Wilkinson’s dance class. Full of energy and constantly seeking rare praise from their dance teacher. Should be excellent dancers and singers.
All the characters below must look between the ages of 10 and 14 years old:
Tracy Atkinson: Has been taking Mrs. W’s ballet class since she was 5, and for some reason, Mrs. W has never liked her. She is always bored since she has been taking the same class for so long, but she is still trying to get Mrs. W to like her and tries hard. She can’t stand Susan Parks.
Alison Summers: Looks up to the other girls in the class, and thinks they are all very good. She thinks Billy is weird and gross. She is the “youngest.” Vague and cute.
Keeley Gibson: Never pays attention and is very absent-minded / space cadet. She almost doesn’t know where she is half the time. She is mouthy, forgetful.
Julie Hope: Is very social and is always talks too much in Mrs. W’s ballet class. She can’t keep her mouth shut and is always annoying everyone around her.
Sharon Percy: Wants to become a Broadway star. She always tries her best in Mrs. W’s ballet class. She is very competitive, especially with Tina. She will not let anyone get in her way of becoming a star. She thinks very highly of herself and wants to be the best in the class.
Tina Harmer: Wants to become a Broadway star. She always tries her best in Mrs. W’s ballet class. She is very competitive, especially with Sharon. She will not let anyone get in her way of becoming a star. She thinks very highly of herself and wants to be the best in the class.
Susan Parks: Extremely enthusiastic and loves Mrs. W’s ballet class. She can’t dance at all, but she always tries her hardest and has a positive attitude. She is extremely uncoordinated. She can’t stand Tracey Atkinson.
Angela Robson: A daydreamer and is constantly looking up at the ceiling, discovering all the pretty lights and things on the ceiling. Her mind is never in Mrs. W’s ballet class.
If you are interested in the role of Billy Elliot, please visit this page to learn more, as those auditions are being conducted separately.
Michael Caffrey
Billy's fun-loving and carefree best friend. He is happy in his own skin and lives in the realm of expressing his individuality, going so far as to commonly dress in women's clothing. Must be an excellent tapper and under 5’4”.
- Character: Male
- Stage Age Range: 10-13
- Vocal Range: Alto (hit top B)
Debbie Wilkinson
The ballet teacher's daughter. Brazen and confident. Can appear argumentative. Her childhood crush on Billy leads her to constantly belittle and discourage him.
- Character: Female
- Stage Age Range: 9-12
- Vocal Range: Female voice
Posh Boy/Kevin
Multiple roles.
Kevin: an older local boy who was friends with Billy until his father became a ‘scab’ during the miners’ strike.
Posh Boy: a rich boy from the south of England whom Billy meets during his audition for the Royal Ballet School, and has no comprehension of the difficulty Billy has faced to get there. (RP Accent)
- Character: Male
- Stage Age Range: 14-16
- Vocal Range: Male voice
The Ballet Class
Overexcited, very eager members of Mrs. Wilkinson’s dance class. Full of energy and constantly seeking rare praise from their dance teacher. Should be excellent dancers and singers.
All the characters below must look between the ages of 10 and 14 years old:
Tracy Atkinson: Has been taking Mrs. W’s ballet class since she was 5, and for some reason, Mrs. W has never liked her. She is always bored since she has been taking the same class for so long, but she is still trying to get Mrs. W to like her and tries hard. She can’t stand Susan Parks.
Alison Summers: Looks up to the other girls in the class, and thinks they are all very good. She thinks Billy is weird and gross. She is the “youngest.” Vague and cute.
Keeley Gibson: Never pays attention and is very absent-minded / space cadet. She almost doesn’t know where she is half the time. She is mouthy, forgetful.
Julie Hope: Is very social and is always talks too much in Mrs. W’s ballet class. She can’t keep her mouth shut and is always annoying everyone around her.
Sharon Percy: Wants to become a Broadway star. She always tries her best in Mrs. W’s ballet class. She is very competitive, especially with Tina. She will not let anyone get in her way of becoming a star. She thinks very highly of herself and wants to be the best in the class.
Tina Harmer: Wants to become a Broadway star. She always tries her best in Mrs. W’s ballet class. She is very competitive, especially with Sharon. She will not let anyone get in her way of becoming a star. She thinks very highly of herself and wants to be the best in the class.
Susan Parks: Extremely enthusiastic and loves Mrs. W’s ballet class. She can’t dance at all, but she always tries her hardest and has a positive attitude. She is extremely uncoordinated. She can’t stand Tracey Atkinson.
Angela Robson: A daydreamer and is constantly looking up at the ceiling, discovering all the pretty lights and things on the ceiling. Her mind is never in Mrs. W’s ballet class.
ADULT ROLES
Dad (Jackie)
Billy's stoic father. Full of working-class pride. A widowed miner struggling with maintaining a household in lieu of the lengthy miners’ strike. He is still deeply scarred by the death of his wife. Billy's dancing initially sends him into a rage, but he learns to support his son, and even though it is deeply uncomfortable for him, he is ultimately willing to sacrifice everything for Billy.
Tony
Billy's outspoken older brother. A passionate miner with a visceral hatred of the ruling class. Hotheaded and scrappy, he resorts to violence during the strike and shows raw aggression when Billy's secret dance lessons are revealed.
George
A miner who also teaches the local boys to box. Frank, foul-mouthed, and questionable teaching techniques. Easily frustrated by Billy and Michael’s efforts.
Mrs. Wilkinson
The chain-smoking, straight-talking, local ballet teacher who eventually becomes Billy's mentor. Hardened and mouthy, she actually has the capacity for caring when she sees promise in Billy. She believes in the power of personal expression through dance.
Linda Elliot (Dead Mum)
Billy’s beloved mum, who died 2 years previously, but appears in Billy’s imagination. Kind, caring, with a strong emotional rapport with Billy. Will double as ensemble.
Grandma
Billy's eccentric grandmother, who has a penchant for moldy pasties. She is forgetful and a little aloof. Despite her inattention, she harbors a bitter resentment towards her dead, abusive husband, but has found solace through dance.
Older Billy
Appears in a dream sequence with Billy. Should be a strong dancer in ballet, or move extremely well.
Petunia (Clipboard Woman)
Chief secretary to the panelists during the Ballet Auditions at the Royal Ballet School, London. Takes her job very seriously and enjoys keeping things running smoothly. Very well spoken - RP Southern English accent.
Male Adult Ensemble
Miners (including Big Davey, Scab)
Proud, tough, working-class men. Left school at 15 years old and went "down the pit’" Strong "Geordie" accents. An unbreakable loyalty to their community.
Police officers
Sent from London by Maggie Thatcher to keep the peace during the strikes. Middle class. Act more as an irritant.
Also play Posh Dad, Panelists,
Female Adult Ensemble (including Lesley)
Members of the close working-class mining community. All their male family members are miners. Just as tough and resilient as the men. Just as dedicated to the success of the strikes.
Billy's stoic father. Full of working-class pride. A widowed miner struggling with maintaining a household in lieu of the lengthy miners’ strike. He is still deeply scarred by the death of his wife. Billy's dancing initially sends him into a rage, but he learns to support his son, and even though it is deeply uncomfortable for him, he is ultimately willing to sacrifice everything for Billy.
- Character: Male
- Stage Age Range: 40-50
- Vocal Range: Baritone/Tenor
Tony
Billy's outspoken older brother. A passionate miner with a visceral hatred of the ruling class. Hotheaded and scrappy, he resorts to violence during the strike and shows raw aggression when Billy's secret dance lessons are revealed.
- Character: Male
- Stage Age Range: 20-26
- Vocal Range: Tenor
George
A miner who also teaches the local boys to box. Frank, foul-mouthed, and questionable teaching techniques. Easily frustrated by Billy and Michael’s efforts.
- Character: Male
- Stage Age Range: 40+
- Vocal Range: Male voice
Mrs. Wilkinson
The chain-smoking, straight-talking, local ballet teacher who eventually becomes Billy's mentor. Hardened and mouthy, she actually has the capacity for caring when she sees promise in Billy. She believes in the power of personal expression through dance.
- Character: Female
- Stage Age Range: 35-50
- Vocal Range: Alto
Linda Elliot (Dead Mum)
Billy’s beloved mum, who died 2 years previously, but appears in Billy’s imagination. Kind, caring, with a strong emotional rapport with Billy. Will double as ensemble.
- Character: Female
- Stage Age Range: 35-45
- Vocal Range: 35-45
Grandma
Billy's eccentric grandmother, who has a penchant for moldy pasties. She is forgetful and a little aloof. Despite her inattention, she harbors a bitter resentment towards her dead, abusive husband, but has found solace through dance.
- Character: Female
- Stage Age Range: 60-75
- Vocal Range: Alto
Older Billy
Appears in a dream sequence with Billy. Should be a strong dancer in ballet, or move extremely well.
- Stage Age: 20s+
Petunia (Clipboard Woman)
Chief secretary to the panelists during the Ballet Auditions at the Royal Ballet School, London. Takes her job very seriously and enjoys keeping things running smoothly. Very well spoken - RP Southern English accent.
- Character: Female
- Stage Age Range: 30-60
- Vocal Range: Female Voice
Male Adult Ensemble
Miners (including Big Davey, Scab)
Proud, tough, working-class men. Left school at 15 years old and went "down the pit’" Strong "Geordie" accents. An unbreakable loyalty to their community.
Police officers
Sent from London by Maggie Thatcher to keep the peace during the strikes. Middle class. Act more as an irritant.
Also play Posh Dad, Panelists,
- Stage Age Range: 16-60
- Vocal Range: Tenors, Baritones, Basses
Female Adult Ensemble (including Lesley)
Members of the close working-class mining community. All their male family members are miners. Just as tough and resilient as the men. Just as dedicated to the success of the strikes.
- Stage Age Range: 16-60
- Vocal Range: Sopranos and Altos (Soprano 1 requires top A)
