Hadestown

August 1-16, 2025

Week 1: Friday and Saturday at 7:30 p.m., Sunday at 2:00 p.m.
Week 2: Thursday and Friday at 7:30 p.m., Saturday at 2:00 and 7:30 p.m., Sunday at 2:00 p.m.
Week 3: Thursday and Friday at 7:30 p.m., Saturday at 2:00 and 7:30 p.m.

Hadestown: Teen Edition
by Anais Mitchell

tickets

Step into the World of Hadestown: Teen Edition
Immerse yourself in the hauntingly beautiful world of Hadestown: Teen Edition, where ancient Greek mythology meets the soulful sounds of folk and jazz. This Tony Award-winning musical reimagines the tragic love story of Orpheus and Eurydice—a tale of passion, sacrifice, and defiance against the odds.

Journey to the underworld as a vibrant cast of talented teen performers brings this epic story to life with breathtaking music, stunning visuals, and raw emotional power.
This is not just a performance—it’s an unforgettable experience that explores timeless themes of love, hope, and resilience. Perfect for audiences of all ages, Hadestown: Teen Edition will leave you captivated, inspired, and humming its unforgettable melodies long after the final curtain.

Don’t miss your chance to witness this extraordinary production. Tickets are selling fast—reserve your seat today and join us on the road to Hadestown!

HADESTOWN: TEEN EDITION is presented by arrangement with Concord Theatricals Corp. www.concordtheatricals.com

Content Advisory

Narrative Complexity: Ages 12+

This version has been carefully revised to be appropriate for teen performers and audiences. However, because of its mythological themes and emotional depth, parental guidance is suggested for younger audience members.

Explores mature themes such as love, loss, poverty, death, and personal choice
Contains stylized depictions of hardship and emotional intensity
No explicit language

★★★ = There's a lot of this.
★★☆ = There's some of this.
★☆☆= There's a bit of this.
☆☆☆ = Don't expect this.

Positive Message: ★★☆

Positive Messages

The Power of Love – Orpheus and Eurydice’s story shows how love can inspire bravery and selflessness.
The Power of Art – Orpheus’ music brings light to a broken world, reminding us that creativity and belief can spark change.
The Importance of Hope – The show encourages holding onto ideals even when the odds are against you.
The Value of Community – The show emphasizes the strength found in community and compassion.

Challenging Messages

Struggles of Survival – Eurydice’s choices highlight the harsh realities of poverty and fear.
Consequences of Doubt – Orpheus’ hesitation reminds us that even a moment of fear or mistrust can lead to heartbreak.
Cycles of Injustice – The workers' plight in Hadestown reflects the dangers of giving in to oppressive systems and losing personal agency.
Love Isn’t Always Enough – The tragedy at the heart of the story reveals that even deep love can be tested — and sometimes fail.

Diverse Representation: ★★★

The show features a diverse cast of teenage performers.

Romance AND SEX: ★★☆

Emotional, Not Explicit – Themes of love, romance, and heartbreak are present but there is no explicit sexual content.
Love is a Central Theme – The story centers on the romantic relationship between Orpheus and Eurydice.
Adapted for Teens – Any sensual elements from the original have been softened or removed.

Violence and Scariness: ★☆☆

Dark Themes & Tone – The Underworld setting, overseen by Hades, creates a moody and sometimes unsettling atmosphere.
Implied Danger – Characters face threats like poverty, isolation, and authoritarian control, but violence is suggested rather than shown.
One scene of stage combat – The production contains a stylized scene where Orpheus is beaten by Hades’ minions.

Adult Language: ☆☆☆

No Explicit Language

Drinking, Drugs, Smoking: ★★☆

No direct references to drugs or smoking.
Alcohol is used in a celebration toast and there is a character who drinks alcohol.

Meet the Creative Team

Danika sudik, director

Danika Sudik has worked in arts education and new works development for twenty years, developing programs and curricula and serves as a group facilitator and teaching artist. Her education programs and curricula have been used by Center Theatre Group’s Mark Taper Forum and Kirk Douglas Theatre, The Eli and Edythe Broad Stage at the Santa Monica College Performing Arts Center, Bonnie Franklin’s Classic & Contemporary American Plays, and Journeys in Film, amongst others.

Ms. Sudik is an Ovation-nominated producer, director, and dramaturg. After earning her Master of Fine Arts, she co-founded and directed the Ground and Field Theatre Festival, a three-year sandbox partnership with UC Davis that invited international playwrights to create new plays and musicals centering on social, economic, and environmental sustainability.

She is currently a lecturer at the University of California, Davis, where she teaches courses in the Departments of Theatre and Dance and Cinema and Digital Media. As a Theatrical Intimacy Education Advocate, she creates consent-based and people-focused classrooms, rehearsal spaces, and environments.

Ms. Sudik volunteers as a Survivor Fellow and Survivors Connect Lead with Everytown Survivor Network, a nationwide community of survivors working together to end gun violence. She belongs to the Stage Directors and Choreographers Society and the American Federation of Teachers. Her proudest creative endeavor is parenting her three extraordinary children.

M.F.A., Dramatic Arts, University of California, Davis
B.A., Theatre, Film, and Television, University of California, Los Angeles

Tom Burmester, director/Scenographer

Tom Burmester is the Executive Director of the Woodland Opera House, where he recently directed "Amélie." As a producer, theatre-maker, and educator, Tom's career spans innovative work across California. At Center Theatre Group, he designed participatory experiences for audiences at major Los Angeles venues, collaborating with renowned artists and earning recognition in American Theatre magazine.
As founding Artistic Director of the Los Angeles Theatre Ensemble, he produced and directed over 30 new plays, developing an acclaimed ensemble while managing the historic Powerhouse Theatre. His War Cycle project earned Ovation Award nominations and special recognition from LA Weekly.
Tom co-founded UC Davis's Ground and Field Theatre Festival, developing new works centered on sustainability themes. He taught theatre courses at St. Mary's College, UCLA and UC Davis. He holds a PhD in Performance Studies from UC Davis, an MFA in Directing from UCLA, and a BA in Theatre and Dance from UC Davis. Tom belongs to the Stage Directors and Choreographers Society.

Missy day, music director

Missy Day has been singing onstage and at church her entire life, and has been writing and/or directing plays for half of it. She has a BA from Biola University and teaches performing arts (drama and choir) at Woodland Christian Middle and High School, and she has taught private vocal lessons for over 15 years. She’s also a mom to five beautiful and clever daughters, a wife to a handsome and hardworking business owner, and a grateful daughter of the King of Kings.

Naomi catalan, choreographer

Naomi Catalan began teaching dance at the Theatre and Dance Annex in 2019. She loves teaching hip hop and seeing students become more confident in dance. Naomi has her BA at Sacramento State as an English Major and Dance Minor. You may have seen her choreography in Amélie in January, where she worked with Anna Walton and Lela Rose. She is thrilled to be a choreographer again this season!

Erik catalan, associate artist

Erik has been a performing artist in music, theater and dance in the greater Sacramento area for over 25 years and has been featured in Woodland Opera House productions since 2007. In 2023, he made his directorial debut with The Lightning Thief: The Percy Jackson Musical, and as Choreographer in 2024, with Disney’s Descendants. He is excited to return as a Director for the 2025-26 season.